G.
GREEK
HIGHLIGHTS (6.30-7.11) 12 days $2100![]() JUNE 30 Athens If you’re coming to Greece from the US, you will have left the day before. The time difference between the two countries is 7 to 10 hours; if it’s 8 am in California (and 11 am in Toronto), it’s 6 pm the same day in Greece. The new airport of Athens is attractive and efficient, and easy to navigate. It’s a good idea to change some money in the banks at the airport; unlike some countries, banks at the airport and everywhere in Greece have approximately the same rate of exchange, which is always better than the rate outside Greece. After coming out the front door of the airport, you’ll see a line of taxis, and a corresponding line of people waiting for taxis. Take a taxi from the taxi stand to the HOTEL AUSTRIA, 7 MOUSON STREET, AKROPOLIS - FILOPAPPOU (telephone 923-5151). When you arrive at the hotel, tell the driver to wait while you go inside. Tell the desk clerk at the hotel you’re with Dick, and he’ll make sure you pay the right amount for the taxi (it should be around 20-25 euros) . You or I can be contacted anytime at this Athens telephone number: 011-30-210-923-5151 (Hotel Austria). The FAX number is 011-30-210-924-7350. Dial all 15 digits from North America, only the last ten in Athens. If anyone might want to contact you, tell them to use these numbers and we will be notified immediately, wherever we are. Be sure that you, or whoever is calling, mention the name “Dick,” so as to be identified properly. I do not include numbers of all our hotels, since at most of them the desk clerks do not speak English (anyone calling probably would not be able to leave a message). We'll meet in the hotel lobby around 7:30 PM to go out to dinner at a local restaurant.
Today we'll visit the Akropolis and Agora. We’ll meet in the hotel lobby for a brief discussion about Athens and the Akropolis, then take a 10-minute walk to the Akropolis entrance. On our way we’ll pass the restored Theater of Herodes Atticus (the Herodion), originally built in the 2nd century AD and still used for musical and theatrical events during the annual Athens Festival (June-September). Excavations have shown that the Akropolis itself was inhabited as early as 5000 BC and in use continually through the Helladic (2800-1800) and Mycenean (1800-1100) periods. No remains save pottery survive from the Dark Age (1100-800), but during the Archaic period (800-500) several temples and other structures were built, all of which were destroyed during the sack of Athens by a Persian invasion in 480; the remains of these archaic buildings are housed in the Akropolis Museum. During the second half of the 5th century all the structures still to be seen on the Akropolis were built, first the Parthenon (447-438), then the Propylaia (437-432), the temple of Athena Nike (427-424), and the Erechtheion (completed around 395). We enter through the Propylaia, the entrance gate on the west end of the hill; the little temple on the south-west corner is the Athena Nike, restored most recently in 1936-40. Proceeding along the north side of the Parthenon, the Erechtheion is on the left and may be visited first; closed off for restoration for many years, it was opened in 1989 and we can now walk entirely around it. It is a composite structure which was used for several cults. principally those of Athena, Poseidon, and Erechtheus (son of Erichthonios, a mythical half-serpent half-man king of Athens). The south portico is the famous Karyatid Porch: the Karyatids are the six columns in the shape of women. The columns in place are all replicas, one original having been removed by Lord Elgin and the other five kept in the Akropolis Museum. Returning to the Parthenon, the north-east corner provides a good vantage to observe certain famous architectural refinements. The spaces between columns are not all the same, the corner columns are a bit thicker than the others, horizontal lines are curved and vertical lines are inclined. If you sight along the top step of the foundation, you will see the slight bulge of the center, which is repeated in the architrave above. All these innovations give the building an appearance of regularity and vertical lift from a distance (and it was from a distance, after all. that most people in antiquity viewed the Parthenon). “Parthenon” means ‘virgin” and the temple was dedicated to the virgin goddess Athena, the patroness of Athens. The sculptures on the east pediment represented the birth of Athena (who leapt in full armor from the head of her father Zeus). The scene on the west pediment was the contest between Athena and Poseidon for the possession of Attica. The metopes had scenes found on many classical temples: the war between the Centaurs and Lapiths, the war between the Giants and the Gods. and the war between Athens and the Amazons. The frieze along the outer wall of the inner temple represented the procession of the Greater Panathenaia festival. Much of the frieze, along with some metopes and pedimental sculptures, was removed by Lord Elgin in 1801 and is now in the British Museum (the “Elgin Marbles”). The chief architects of the Parthenon were Iktinos and Kallikrates, and overall supervisor of the project was the famous sculptor Pheidias, who created the gold and ivory statue of Athena almost 40 feet high. Although converted into a Christian basilica and, later. into a Moslem mosque, the Parthenon remained largely intact until 26 September 1687, when a mortar shot set off an explosion in the building, which was being used by the Turks as a gunpowder and munitions storehouse. Just east of the Parthenon and below ground level is the Museum. Going though it clockwise, the north and back halls contain remains of pre-classical structures and the south halls contain artifacts from the Parthenon and Erechtheion. Specially interesting are the pedimental fragments from 6th century temples (the emphasis on serpentine shapes reflects the importance of snake-men in the mythical history of Athens), the Moschophoros (an early 6th century statue of a man carrying a calf), the Korai (archaic statues of maidens; the most famous is the Peplos Kore), the Kritias Boy (around 480, one of the earliest examples of the Classical style), and the few fragments from the Parthenon pediment not destroyed or carried off. The last two rooms contain what is left in Greece from the friezes of the Parthenon, Erechtheion, and Nike temple, and four of the original Karyatid columns. From the wall along the north side of the Akropolis you have a good view of modern Athens, as well as the ancient Agora, the Roman forum, the National Cathedral, and the Parliament building on Syntagma Square. From the lookout point on the east end you can see the National Garden, the Stadium where the 1896 Olympics were held, and the huge Roman temple of Jupiter (2nd century AD). The south wall looks down on the theater of Dionysos (where the dramas of Aeschylus, Sophocles, Euripides, and Aristophanes were performed) and the Roman theater of Herodes Atticus. The Akropolis entrance is just a few yards from the Areopagos, a small hill just northwest of the Akropolis. Here, according to myth, the first jury trial was held, the trial of Orestes for the murder of his mother Klytemnestra; when the jury of 12 Athenian citizens voted 6 for acquittal, 6 to convict, Athena cast the deciding vote for acquittal and established the principle that an evenly split jury must decide for the defendant. During historical times the hill was the meeting place first for the aristocratic council of elders and later for the most serious trials (treason and homicide). In 51 AD St. Paul delivered here his sermon on the “Unknown God,” a copy of which is inscribed on a bronze plaque beside the stairs leading up the hill. From the Areopagos we’ll walk down the hill to the Agora, the social and civic center of ancient Athens. In use throughout antiquity, the Agora was gradually covered over by newer dwellings, so that in 1931 when the American School of Classical Studies began systematic excavations, the only visible ancient building was the Doric temple at the northwest corner (the “Theseion”). We’ll begin by going through the Agora Museum, contained in the reconstructed Stoa of Attalos; originally built by King Attalos II of Pergamum (159-138 BC), the stoa was rebuilt in 1953-56 thanks to contributions by private American donors. The museum, which contains some 180,000 objects (not all on display), offers a unique perspective on Athenian history from Neolithic times through the Roman period. It is arranged chronologically, in a single long hall beginning with pre-Bronze Age finds and objects from the many Mycenean burials in the area and proceeding through historical times (each century takes up about 20 feet). Almost all the objects are very well described on labels by the American excavators, but I’ll mention a few of special interest: in the middle of the hall, on the left, are a klepsydra (water clock) used to limit the times of orators’ speeches, a kleroterion (lottery machine) used to select public officials (the radical democracy of 5th century Athens believed all citizens were equally capable of fulfilling official duties), a large bronze shield captured from the Spartans in 425 b.c., and a terracotta potty chair; opposite these are a beautiful selection of black-figure and red-figure vases and an entire case of ostraka (broken pieces of pottery used in banishment elections). Ostracism was practiced in Athens from 487 to 417 BC: every year the Assembly voted on whether or not to hold an ostracism; if they held one, each citizen wrote on a sherd the name of the person he wanted to be exiled; if over 6000 votes were cast, the person with the most votes had to leave town for 10 years; in general, the most popular and successful public leaders were selected for ostracism. Because the Agora was in use for so long and so much rebuilding took place, there is now very little to see of the earlier structures. Walking across the north side of the Agora from the museum to the Theseion temple, we pass by three colossal statues of a Giant and two Tritons; these were the porch columns of a huge music hall, the Odeion of Agrippa (Emperor Augustus’ son-in-law). Next we see a large altar, perhaps the altarof Zeus Agoraios (Zeus of the Agora) and a headless statue of the Emperor Hadrian. Along the west side of the Agora, below the Theseion. are the government buildings, a Bouleuterion (Council Chamber) and a Tholos (the name given to any circular temple or building) where the 50 Council members in session (Prytaneis) dined and where a third of them stayed 24 hours a day for a month (the 5th century Council had 500 members but only 50 of them were in session each of the 10 months). The Theseion (Temple of Theseus) is wrongly named: the building is actually a temple of Hephaistos. the god of fire and metallurgy, and should be called the Hephaisteion. It is the best preserved Doric temple in existence. Fighting centaurs appear on the west pediment, which may have portrayed the battle between the Centaurs and Lapiths. ![]() Athens, Agora: Temple of Hephaistos It will be lunch time when we leave the Agora; after lunch in the Plaka (the “Old Town” of Athens), we’ll walk around the area, visiting Syntagma Square and the Parliament building, in front of which the Changing of the Guard occurs every hour on the hour. The rest of the day is free. JULY 2 Athens
After the Museum the rest of the day is free. JULY 3 Nafplion This morning we leave by bus for the Peloponnese. As we drive west out of Athens we’ll pass Daphni Monastery (5th or 6th century, rebuilt 1080), the western extension of Peiraeus port, and enormous oil refineries. Our first stop will be at ancient Eleusis, 15 miles west of Athens. Eleusis was the home of the Eleusinian Mysteries, the most important cult religion of antiquity before Christianity. Like most ancient religious centers, Eleusis was used for cult practices far into prehistoric times, but its fame and importance greatly increased during the 6th century BC, when a major building project was carried out by the Athenian tyrant Peisistratos. Another large-scale reconstruction occurred during the 2nd century AD, especially during the reigns of Hadrian and Marcus Aurelius. The cult continued to function until the end of the 4th century. The Eleusinian religion was based on the myth of Demeter and her daughter Kore (Persephone). After Kore had been carried off by her uncle Hades to be his bride and the queen of the underworld, Demeter searched for her everywhere; when she came to Eleusis, she disguised herself as an old woman and sat by a well; the women of Eleusis, coming to draw water, tried to talk to Demeter but got no response until a woman named Baubo or Iambe exposed herself to the goddess; Demeter smiled and told the women the fiction that she was Doso from Crete, that she had been captured by pirates, and was now wandering friendless and penniless; having secured a position as nursemaid to the infant son of King Keleus and Queen Metaneira, Demeter held the baby every night in the fire, trying to burn away its mortality; one night Metaneira came upon this scene and cried out; Demeter revealed her true identity, commanded the Eleusinians to build her a temple, and sealed herself inside; since she was the goddess of fertility and vegetation, nothing grew during her isolation; finally Zeus, realizing that without crops, animals, or humans being born there was no future for the gods, commanded his brother Hades to return Kore to her mother; Hades did so, but since Kore had eaten pomegranate seeds in the underworld she was compelled to spend half of each year above the earth and half below (in fact, despite this arrangement, we never hear of Kore/Persephone henceforth other than as the queen of the underworld). The annual ceremony of the Greater Eleusinia took place every September; initiates holding a small pig purified themselves (and the pig) in the sea, then marched in procession to Eleusis for several days of varying activity, sometimes orgiastic, sometimes in silent mourning; at the climax of the rites, the high priest (Hierophant) and priestess enacted the marriage of Zeus and Demeter (perhaps quite graphically, as analogy with other cult rituals indicates) and the birth of their child; the celebrants handled sacred objects (e.g., a triangle, a serpent, a fennel stalk, a women’s comb, all condemned as obscene by early Christian converts from the mysteries) and then, stunned by the sudden appearance of a great fire from the inner shrine, were shown the supreme sacred object (probably a sheaf of wheat). The great attraction of the religion was surely that it promised a special sort of afterlife to its initiates. However, since revelation of the nature of the religion and its rites was strictly forbidden, we have no sure idea of what this afterlife consisted. Since the charter myth of the religion concerns the separation of a mother and her child and the eventual reunion of mother and child, I would suppose that the afterlife promised to good Eleusinians was in some way represented as a return to the blissful situation of earliest childhood, before that fateful separation of mother and child, the basis of all subsequent anxiety, took place. Our only ancient evidence says merely that the Eleusinians after death continued to practice the Eleusinian mysteries. In any case, almost anything would be preferable to the usual Greek concept of the afterlife, which regarded the souls of the dead as insensate and powerless, flitting around in the darkness of the underworld and making squeaking noises like bats. ![]() Eleusis: Greater Propylaia Entering from the east we are in a large forecourt, with a temple of Artemis and a well. We pass through what was the Greater Propylaia, patterned after the Akropolis Propylaia; part of the pediment is in the forecourt, and the relief bust on it may be Marcus Aurelius, who built the Propylaia; we then pass through a second gate, the Lesser Propylaia (forbidden to the non-initiated in antiquity under pain of death); to the right is the Ploutonion, an area and cavern sacred to Plouto; we then come to the Telesterion, or Temple of Demeter, with an inner sanctuary, the Anaktoron; the chief ceremonies of the cult took place in this temple, which was about 170 feet square with 42 columns and eight rows of seats on each side; West is a late Bouleuterion (Council hall) and above is the Museum, very small and very interesting. Outside is a beautiful Roman sarcophagus of the 2nd century AD. Inside are 6 small rooms: 1 contains a magnificent archaic amphora with scenes of Odysseus blinding the Cyclops Polyphemos and Perseus fleeing the pumpkin-headed Gorgon sisters of Medousa; 2 has a cast of the Demeter/Kore relief we saw in the National Museum; 4 contains two models of the site (the lower is the Peisistratid [6th century BC] and the upper is the 2nd century AD Roman); 5 has part of a caryatid column from the Lesser Propylaia and a piece of burial cloth, the only surviving example from Classical times; 6 has pottery representing continuous habitation from the early Bronze Age to the 5th century AD, including fertility idols of the Cycladic type. Continuing west from Eleusis, we pass the island of Salamis; at the narrowest point of the straits between Salamis and the mainland, a Greek fleet under the Athenian admiral Themistokles won a decisive victory over the Persian fleet of Xerxes in September 480, ending the great Persian invasion and establishing Athens’ dominance in Greece. About 40 minutes after Eleusis we come to the Corinth Canal, where we’ll stop for lunch and a walk over the canal bridge. Although several attempts were made in antiquity to dig a canal through the narrow Isthmus of Corinth, none succeeded and the canal was finally completed in 1893. It is 4 miles long, 80 feet wide, and 26 feet deep; from the bridge down to the water is 290 feet. ![]() The Corinth Canal Ten minutes’ drive from the canal brings us to ancient Corinth. Corinth: Peirene Fountain
Because of its
location
at the isthmus joining the
Peloponnese to north Greece, Corinth was one of the most important and
richest commercial centers of
antiquity; its citizens were known for their dissipation and its
prostitutes
for their beauty. In 146 BC a Roman army under Lucius Mummius defeated
the Achaean League and, to confirm the final domination of Rome over
Greece, Mummius ordered Corinth to be razed to the ground. A century
later Julius Caesar established a colony at Corinth and during the
Roman Empire Corinth recovered its former importance and wealth. It is
estimated that Corinth had some 300,000 citizens (and an even larger
number of slaves).
Mycenae: gold death mask Mycenae: Lion Gate
We enter the citadel of Mycenae through the famous Lion Gate, the first
monumental sculpture in Europe (13th century BC). Immediately we come
to Grave Circle A, a royal cemetery in which Schliemann found six shaft
graves, 19 skeletons, and the incredibly rich burial furnishings which
made his discovery one of the great archaeological finds of all time. A
ramp and stairs lead up from the grave circle to the palace on the top
of
the hill; unfortunately little remains of the palace except for a Great
Court and a megaron (a room with central hearth and inner columns).
From the top of the hill, with its view commanding the valley all the
way down to Argos and Nafplion, we can follow a path down the back of
the site to the Postern Gate and the Secret Cistern, a pitch-dark
tunnel leading down some 80 steps through the solid rock. We can then
return to the Lion Gate around the north side of the hill.
Nafplion: Bourzi Palace Our first stop today is Argos, about 15 minutes from Nafplion. Argos was of great importance in Greek myth, especially because of the hero Perseus, whose grandfather Akrisios was king of Argos. Warned by an oracle that he would be killed by the future son of his daughter Danae, Akrisios locked up Danae in a bronze dungeon. Discovering one day that she had given birth to a son (Perseus: his father was either Zeus, who entered the dungeon in a golden rain-shower, or Akrisios’ twin brother Proitos), Akrisios locked both Danae and her son in a chest and threw it into the sea at Nafplion. It washed ashore on the island of Seriphos and was found by a fisherman Diktys, who was the rightful king of Seriphos but had lost his throne to his evil brother Polydektes. Some years later Polydektes discovered Danae and fell in love with her; wanting to get Perseus out of the way, he ordered him to bring back the head of the gorgon Medousa (a female monster with snakes for hair, whose look turned anyone whose eyes met hers into stone). With the help of the goddess Athena Perseus decapitated Medousa and flew back on winged sandals to save his mother. On the way he passed over Ethiopia, where he saw a princess about to be devoured by a sea monster. When King Kepheus told Perseus that he had been obliged to sacrifice his daughter Andromeda to be freed from the monster, Perseus promised to save her and kill the monster if he could marry Andromeda. Kepheus agreed, but when Perseus had accomplished the task Kepheus told him that Andromeda was already engaged to marry his twin brother Phineus. Perseus used the head of Medousa to turn Phineus and his men to stone, then flew with Andromeda back to Seriphos where he did the same to Polydektes and his army. He now restored Diktys to his rightful position as king of Seriphos, then returned to Argos with his bride and mother. Since Akrisios had left town after learning that Perseus was alive, Perseus now became king of Argos. Years later, he entered an athletic contest in Larissa in north Greece, where Akrisios was living under an assumed name. Perseus threw his discus wildly and it struck his grandfather, who was sitting in the stands, on the foot and killed him instantly. At Argos we'll see the amazing ancient theater, cut into the solid rock of the hillside and once holding 20,000 spectators. Near Argos is the mysterious ancient Pyramid of Elliniko and the Church of the Life-Giving Spring (a spring gushes from beneath the church, aand its chapels are in adjoining caves). In the afternoon we'll go to Nemea (a UC Berkeley excavation), where we'll visit the Temple of Zeus, the stadium, and the fine new museum.
After Nemea we'll drive
up into
the mountains of Arcadia to the village Dimitsana. ![]() Vassai: Temple of Apollo Epikourios
JULY 5
Olympia & Vassai It’s not difficult to see why the ancients chose Olympia for the Games and the sanctuary of Zeus; it is now, and certainly was, one of the most beautiful places in Greece. The confluence of seven rivers and sufficient rainfall provide a green and shady setting that is reminiscent of northern Italy. Predictably,
Olympia was a cult center before Mycenean
times, although the official date for the first Olympic Games is 776
BC. Originally a local festival of Elis (the territory of Olympia), the
Games became the great panhellenic festival during the Archaic period
and continued to be held until suppressed by the anti-pagan edict of
Emperor Theodosius I in 391 AD. The Games were held every four years;
ten months before their occurrence the competitors began to train; they
spent the last month at Olympia and during the actual week of the Games
a Sacred Truce was observed by all Greeks. Competitors had to be native
speakers of Greek (although in the last phase Romans were admitted),
and no married women could be present under penalty of death.
The list of events was periodically augmented, and came to include the
foot-race, boxing, chariot-racing, horse-racing, the Pentathlon
(jumping, wrestling, running, spear and discus throwing), and the
Pankration (a form of wrestling in which everything was allowed but
biting and gouging). To win at Olympia was the greatest honor a Greek
could attain, promising immortal fame (as
the Victory Odes of the 5th century poet Pindar declare) not only for
him
but for his family and city as well. ![]() Olympia Museum: Hermes of Praxiteles Olympia Museum: helmet of Miltiades The site is across the street (separate ticket). Keeping to the right after going through the entrance, we come first to the large Gymasium, then through the wrestling and socializing area, the Palaistra, to the workship of Pheidias. This is the same Pheidias who supervised the building of the Parthenon in Athens, and he had the same function for the Temple of Zeus at Olympia. The building was later used as a Byzantine church, but in 1958 a cup was found with Pheidias’ name on it. South is the Leonidaion, an elaborate guest-house for distinguished visitors (later the residence of the Roman governor); in the center courtyard you can see the brick walls of a curving pool; going from here to the Temple of Zeus, we enter the Sacred Grove, or Altis. The temple is one of the largest Greek temples, and the statue of seated Zeus within was one of the Seven Wonders of the world; it was almost 40 feet high and covered with gold and ivory (it supposedly was carried off to Constantinople after the cessation of the Games and was destroyed in a fire). Continuing east from the temple we pass the Stoa of Echo, the nymph who loved Narcissus, then through the athletes’ tunnel to the Stadium where the foot-races were held. Returning to the entrance we go by the Treasuries, the Metroon, or Temple of the Mother of the Gods, the Exedra of Herodes, the 7th century Temple of Hera, and the Philippeion, a round structure, or tholos, built by Philip II of Macedon, father of Alexander the Great, in his own honor. Olympia:
Temple of Zeus
After visiting Olympia we'll go across the spectacular new bridge at Patras to northern Greece. 10 minutes after the bridge we'll stop briefly at the picturesque Venetian harbor of Nafpaktos, where the Turkish fleet assembled before the famous battle of Lepanto in 1571. We'll then continue to Delfi, in the foothills of Mt Parnassos. ![]() Nafpaktos Harbor JULY 7 Meteora &
Volos
Delfi was the most famous oracle of the ancient world (remember that an oracle was a place or a message, not a person), already held in highest esteem at the time of Homer (8th century). Here questions were asked of the god Apollo (mostly by rulers and governments in the earlier phase, by individuals in the later phase) and his answer was transmitted by a priestess, the Pythia, who babbled something incoherent which was translated into hexameter verse by the college of priest-poets. The petitioner would first purify himself in the sacred Kastalian spring, then write his question on a lead tablet, and wait for his turn to submit it. The order of submission was determined by lottery, unless one was granted the right of promanteia (the privilege of cutting in line), presumably in return for a handsome gift to the sanctuary; an extant inscription just below the Temple of Apollo reads “Delfi grants to the people of Chios the right of promanteia (cutting the line).” The oracles were characteristically vague or ambiguous, thus increasing immeasurably their odds of success. In myth Delfi (like almost all oracles) was at first the possession of Gaia (Earth), who was the first to utter prophecies. Later Apollo killed the great serpent which guarded the site and took it over (Pytho, the early name of Delfi, and Pythia, the priestess, may be words derived not from python [serpent] but from pythao [a verb “to rot”], since Apollo left the body of the serpent to rot in the sun). We’ll begin with the museum (the display labels are mostly in Greek and French, so if you don’t know one of these languages attach yourself to someone who does). We go up the entrance stairs to the first exhibit, a large omphalos (navel stone). Zeus saw where two eagles, flying from the ends of the earth, met; this place was Delfi, the navel of the earth. The following rooms contain in order the Sphinx of the Naxians; a huge archaic sculpture which stood atop a 30-foot column, and the pediment and frieze from the Treasury of the Siphnians; large, very early bronze shields; two kouros statues of Kleobis and Biton, two youths proclaimed by Solon to be the most fortunate persons in the world, since they pulled their mother’s chariot to the Argive Heraion, fell asleep in the temple, and never awoke; a treasure of gold, silver, and ivory objects found in 1939 under a path below the Temple of Apollo; sculpture from the Treasury of the Athenians; statuary from the archaic Temple of Apollo (this temple, called the Alkmaionid temple because it was paid for by the aristocratic Athenian clan of the Alkmaionidai, was the second on the site and was destroyed by an earthquake in 373 BC). The Alkmaionid temple was quickly rebuilt, and the new temple’s repair by Domitian at the end of the 1st century a.d. is commemorated by an inscription; a rare and important inscription of a hymn with musical notation. objects from the Tholos, a round temple in the lower shrine; 4th century sculptures, including three enormous dancing girls on a column which was the base for a tripod, and the votive offering of Daochos, a family group tracing his genealogy; the highlight of the museum (and perhaps of all museums) is the bronze statue of the Charioteer in; this spectacular piece, from around 475 BC, stands poised at the end of the Archaic age, on the verge of motion and the Classical style. Turning left from the Museum entrance, we take the paved path to the site entrance (separate ticket). As we begin up the slope after the entrance we come first to the Offerings of the Arcadians and the Spartan Monument of the Admirals, two rows of statue bases, then two semi-circular Argive monuments, followed by a large number of treasuries, including those of the Sikyonians, the Siphnians, the Thebans, and the Athenians (reconstructed). Next is a small Council Chamber near the site of the column which held the Sphinx of the Naxians, the place at which the gold and silver treasures in the museum were found, and the Treasury of the Corinthians. Below the Temple of Apollo is the Stoa of the Athenians, a colonnade honoring the victory over the Persians in 480, and before the Temple is the Altar of Apollo, dedicated by the people of Chios (with the aforementioned inscription granting Chios the nght of promanteia). A reconstructed pillar held an equestrian statue of Prusias, king of Bithynia in the 2nd century BC. The great Temple of Apollo was the actual site of the oracle, perhaps in an underground chamber. Above the temple is a small but well-preserved theater, built in the 4th century and restored by the Romans. A steep but worthwhile walk leads from the theater to the Stadium, the best-preserved in Greece; it held 7,000 spectators and is still used for theatrical and musical events. After returning downhill to the entrance we turn left and follow the path to the Kastalian Spring; a little below the spring is a refreshment terrace (much needed by those who’ve gone all the way to the stadium) with a good view of the lower site. The large, recently-excavated gymnasium area is now open to visitors; below it is the Sanctuary of Athena Pronaia, which contains an old and a new temple of Athena, two treasuries, and a beautiful, partially-reconstructed 4th century Tholos.
After visiting
Delfi we'll drive north to Kalambaka,
the town of the
Meteora (24 Orthodox monasteries perched on sheer precipices).
Long ago under water, the rocks have been wierdly
shaped and pitted by countless centuries of wind and rain. The recesses
and their inaccessibility attracted early hermits and monks to the
place, and during the 14th century the first monasteries were built.
Once crowded and prosperous, they became virtually deserted during the
last century, although a current renaissance in monasticism is
accompanied by large building projects at
several of the bigger monasteries. We’ll visit either Varlaam or
Metamorphosis, and see the chapel (with frescoes depicting every
possible way to become
a martyr), the museum, and the platform from which rope nets are let
down
several hundred feet by a windlass; this was until 70 years ago the
only
means of entrance to the monasteries and still the only way to
transport
goods and materials. Male visitors are not allowed to wear shorts in
the
monasteries, and women must wear a skirt or dress and have their
shoulders
covered. July 8-9 Skopelos The morning of the 8th we'll take the ferry to Skopelos.
Like the other Sporades Islands, Skopelos is mountainous and pine-covered, with dozens of marvelous beaches and picturesque coves and villages. It’s visited during the summer by many knowledgeable tourists from around the world, but fortunately it has no airport and hasn’t yet been ruined by mass tourism. It’s a big island, about 40 miles long and from 5 to 12 miles wide. A single paved road runs from Glossa, an elevated village on the west coast, to the main town of Skopelos. Situated in a circular harbor surrounded by mountains, the town rises steeply above the water like a huge layer cake. The bottom layer is the waterfront, a half-mile of restaurants, shops, and cafes almost hidden by the green of mulberry and plane trees, while above it layers of whitewashed houses with red tile roofs and brightly painted shutters seem to be piled on top of one another. What is there to do in Skopelos? One could easily spend two days just exploring the town; the people are friendly and the view around every corner of the narrow lanes is wonderful; when you get tired of walking, have a seat at one of the waterfront cafes and watch the boats or chat with the people at the next table. If you want to see other parts of the island, rent a motor scooter or take the bus or a taxi; both taxis and busses leave from a plane tree on the waterfront, and the bus schedule is on a sign attached to the tree. About two and a half miles from town (a pleasant and not difficult walk) is Staphylos. the best-known beach; it’s named for a mythical prince of Crete who supposedly colonized Skopelos during the Bronze Age. Another two and a half miles along the truly breathtaking scenery of the southern coast brings you to Agnondas, a quaint village with a few houses and three seafood restaurants. Or, if you want to see the whole island, take the bus all the way to Glossa and back. Skopelos is the home of Kostas and Voula Kalafatis, my Greek colleagues (they help me with my arrangements while I am in America). If you want information, help, or just friendly conversation and a cup of coffee (or something stronger), go to their shop on the waterfront. JULY 10 Athens On the 28th we'll take the ferry back to the Agios Konstantinos on the mainland; from here it's a 2-hour bus ride back to Athens. JULY 11 Departure |