Day 5 (Sept 6)
Today we’ll go by bus to
Faistos, an important Minoan palace on the Messara plain in southern
Crete, and then we’ll explore the south coast of Crete.
On the way to Faistos we’ll
stop at the archaeological site of Gortyna, where the famous archaic
Law Code of Gortyna was found. Then we’ll continue to Faistos, a palace
almost as large as that at Knossos. Built at the same time as Knossos,
but more carefully and with better material, Faistos is our example of
an unrestored Minoan palace.
After lunch at Drosia, a
wonderful mountain village on the slopes of Mount Ida, we'll drive
north to Rethymnon, a fairly touristy port town about 80 minutes west
of Iraklion, that is redeemed by an exquisite Venetian harbor and a
beautiful Old Town. Then we'll go east to Bali, a tiny village on the
sea near Fodele, the birthplace of Domenikos Theotokopoulos (El
Greco). At Bali we can go
for a swim and have a seafood meal in a little restaurant overlooking
the
beach and scenic harbor.
This evening we'll return to
Iraklion for the ferry back to Athens.
DAY 6 (Sept 7)
This morning we leave by bus
for the Peloponnese. As we drive
west
out of Athens we’ll pass Daphni Monastery (5th or 6th century,
rebuilt 1080), the western extension of Peiraeus port, and enormous oil
refineries. Our first stop will be at ancient Eleusis, 15 miles west of
Athens.
Eleusis was the home of the Eleusinian Mysteries, the most
important cult religion of antiquity before Christianity. Like most
ancient religious centers, Eleusis was used for cult practices far into
prehistoric times, but its fame and importance greatly increased during
the 6th century BC,
when a major building project was carried out by the Athenian tyrant
Peisistratos. Another large-scale reconstruction occurred during the
2nd century AD, especially during the reigns of Hadrian and Marcus
Aurelius. The cult continued to
function until the end of the 4th century.
The Eleusinian religion was based on the myth of Demeter and her
daughter Kore (Persephone). After Kore had been carried off by her
uncle Hades
to be his bride and the queen of the underworld, Demeter searched for
her everywhere; when she came to Eleusis, she disguised herself as an
old
woman and sat by a well; the women of Eleusis, coming to draw water,
tried
to talk to Demeter but got no response until a woman named Baubo or
Iambe
exposed herself to the goddess; Demeter smiled and told the women the
fiction
that she was Doso from Crete, that she had been captured by pirates,
and
was now wandering friendless and penniless; having secured a position
as
nursemaid to the infant son of King Keleus and Queen Metaneira, Demeter
held the baby every night in the fire, trying to burn away its
mortality;
one night Metaneira came upon this scene and cried out; Demeter
revealed
her true identity, commanded the Eleusinians to build her a temple, and
sealed herself inside; since she was the goddess of fertility and
vegetation,
nothing grew during her isolation; finally Zeus, realizing that without
crops, animals, or humans being born there was no future for the gods,
commanded his brother Hades to return Kore to her mother; Hades did so,
but since Kore had eaten pomegranate seeds in the underworld she was
compelled
to spend half of each year above the earth and half below (in fact,
despite
this arrangement, we never hear of Kore/Persephone henceforth other
than
as the queen of the underworld).
The annual ceremony of the Greater Eleusinia took place every
September; initiates holding a small pig purified themselves (and the
pig) in the sea, then marched in procession to Eleusis for several days
of varying
activity, sometimes orgiastic, sometimes in silent mourning; at the
climax
of the rites, the high priest (Hierophant) and priestess enacted the
marriage
of Zeus and Demeter (perhaps quite graphically, as analogy with other
cult
rituals indicates) and the birth of their child; the celebrants handled
sacred objects (e.g., a triangle, a serpent, a fennel stalk, a women’s
comb,
all condemned as obscene by early Christian converts from the
mysteries)
and then, stunned by the sudden appearance of a great fire from the
inner
shrine, were shown the supreme sacred object (probably a sheaf of
wheat).
The great attraction of the religion was surely that it promised a
special sort of afterlife to its initiates. However, since revelation
of the
nature of the religion and its rites was strictly forbidden, we have
no sure idea of what this afterlife consisted. Since the charter myth
of the religion concerns the separation of a mother and her child and
the eventual reunion of mother and child, I would suppose that the
afterlife
promised to good Eleusinians was in some way represented as a return
to the blissful situation of earliest childhood, before that fateful
separation of mother and child, the basis of all subsequent anxiety,
took
place. Our only ancient evidence says merely that the Eleusinians after
death continued to practice the Eleusinian mysteries. In any case,
almost
anything would be preferable to the usual Greek concept of the
afterlife,
which regarded the souls of the dead as insensate and powerless,
flitting
around in the darkness of the underworld and making squeaking noises
like
bats.
Entering from the east we are in a large forecourt, with a temple of
Artemis and a well. We pass through what was the Greater Propylaia,
patterned
after the Akropolis Propylaia; part of the pediment is in the
forecourt,
and the relief bust on it may be Marcus Aurelius, who built the
Propylaia;
we then pass through a second gate, the Lesser Propylaia (forbidden to
the
non-initiated in antiquity under pain of death); to the right is the
Ploutonion,
an area and cavern sacred to Plouto; we then come to the Telesterion,
or
Temple of Demeter, with an inner sanctuary, the Anaktoron; the chief
ceremonies of the cult took place in this temple, which was about 170
feet square
with 42 columns and eight rows of seats on each side; West is a
late
Bouleuterion (Council hall) and above is the Museum, very small and
very
interesting. Outside is a beautiful Roman sarcophagus of the 2nd
century
AD. Inside are 6 small rooms: 1 contains a magnificent archaic
amphora
with scenes of Odysseus blinding the Cyclops Polyphemos and Perseus
fleeing
the pumpkin-headed Gorgon sisters of Medousa; 2 has a cast of the
Demeter/Kore
relief we saw in the National Museum; 4 contains two models of the site
(the lower is the Peisistratid [6th century BC] and the upper is the
2nd
century AD Roman); 5 has part of a caryatid column from the Lesser
Propylaia
and a piece of burial cloth, the only surviving example from Classical
times;
6 has pottery representing continuous habitation from the early Bronze
Age
to the 5th century AD, including fertility idols of the Cycladic type.
Continuing west from Eleusis, we pass the island of Salamis; at the
narrowest point of the straits between Salamis and the mainland, a
Greek fleet under the Athenian admiral Themistokles won a decisive
victory over the Persian fleet of Xerxes in September 480, ending the
great Persian invasion and establishing Athens’ dominance in Greece.
About 40 minutes after Eleusis we come to the Corinth Canal, where
we’ll stop for lunch and a walk over the canal bridge. Although
several attempts were made in antiquity to dig a canal through the
narrow Isthmus of Corinth, none succeeded and the canal was finally
completed in 1893.
It is 4 miles long, 80 feet wide, and 26 feet deep; from the bridge
down
to the water is 290 feet.
Ten minutes’ drive from the canal brings us to ancient Corinth.
Because of its
location at the isthmus joining the Peloponnese to north Greece,
Corinth was one of the most important and richest commercial centers of
antiquity; its citizens were known for their dissipation and its
prostitutes
for their beauty. In 146 BC a Roman army under Lucius Mummius defeated
the Achaean League and, to confirm the final domination of Rome over
Greece, Mummius ordered Corinth to be razed to the ground. A century
later Julius Caesar established a colony at Corinth and during the
Roman Empire Corinth recovered its former importance and wealth. It is
estimated that Corinth had
some 300,000 citizens (and an even larger number of slaves).
The Corinth excavations cover an enormous area and most of them are
inaccessible; the site we’ll visit is the center of the ancient city.
Immediately
upon entering the site we come to the small museum; the room on the
right
contains objects from the Greek period, that on the left from the
Roman,
and the rear courtyard has a frieze from the theater and various
headless
statues. After leaving the museum we pass an instructive display of
column
capitals, then turn left to the archaic Temple of Apollo (6th century
BC), the only substantial structure not razed by the Romans. North of
the temple is the Roman forum, surrounded by Roman commercial buildings
and containing a high platform (Bema) where Roman magistrates addressed
the people. From the east end of the Forum steps lead down to the
Lechaion
Road; on the left are remains of the “Captives’ Facade,” two columns of
which (in the shape of barbarian captives) we saw in the museum. On the
east side of the road are the famous Spring of Peirene and a
well-preserved
Roman public toilet.
South of the city towers the acropolis of ancient Corinth, the
“Acrocorinth.” The top is covered with Byzantine, Venetian,
and Turkish fortifications, but hardly anything remains from antiquity.
From Corinth we drive south (about 1 hour) to Nafplion. On the way we
pass Nemea, where the Nemean Games, one of the four great Panhellenic
athletic festivals, were held and where Herakles, the greatest hero of
Greek myth, accomplished his first Labor by killing the Nemean Lion.
Halfway between Corinth and Nafplion we can see Mycenae on a hillside
to the left, and, a little further on, Tiryns, another Bronze Age
citadel.
We’ll stop briefly in Argos to see the ancient theater; one of the
largest in Greece, it held 20,000 spectators and the seats were cut
from the native rock. Next to the theater is a large Roman bath.
Argos was of great
importance in Greek myth, especially because of the hero Perseus, whose
grandfather Akrisios was king of Argos. Warned by an oracle that he
would be killed by the future son of his daughter Danae, Akrisios
locked up Danae in a bronze dungeon. Discovering one day that she had
given birth to a son (Perseus: his father was either Zeus, who entered
the dungeon in a golden rain-shower, or Akrisios’ twin brother
Proitos), Akrisios locked both Danae and her son in a chest and threw
it into the sea at Nafplion. It washed ashore on the island of Seriphos
and was found by a fisherman Diktys, who was the rightful king of
Seriphos but had lost his throne to his evil brother Polydektes. Some
years later Polydektes discovered Danae and fell in love with her;
wanting to get Perseus out of the way, he ordered him to bring back the
head of the gorgon Medousa (a female monster with snakes for hair,
whose look turned anyone whose eyes met hers into stone).
With the help of the goddess Athena Perseus decapitated Medousa and
flew back on winged sandals to save his mother. On the way he passed
over Ethiopia, where he saw a princess about to be devoured by a sea
monster. When King Kepheus told Perseus that he had been obliged to
sacrifice his daughter Andromeda to be freed from the monster, Perseus
promised to save her and kill the monster if he could marry
Andromeda. Kepheus agreed, but when
Perseus had accomplished the task Kepheus told him that Andromeda was
already
engaged to marry his twin brother Phineus. Perseus used the head of
Medousa
to turn Phineus and his men to stone, then flew with Andromeda back to
Seriphos where he did the same to Polydektes and his army. He now
restored
Diktys to his rightful position as king of Seriphos, then returned to
Argos
with his bride and mother. Since Akrisios had left town after learning
that
Perseus was alive, Perseus now became king of Argos. Years later,
he
entered an athletic contest in Larissa in north Greece, where Akrisios
was
living under an assumed name. Perseus threw his discus wildly and it
struck
his grandfather, who was sitting in the stands, on the foot and killed
him
instantly.
By late afternoon we’ll be in Nafplion, a beautiful port city on the
Argolic Gulf. After theWar of Independence Nafplion was the first
capital of Greece, from 1828 to 1834, and it remains one of the most
attractive cities in Greece. The architecture is unmistakably Venetian,
there is even a marble piazza (Syntagma Square), and a striking castle,
the Bourzi Palace (built in 1471). stands on an island in the bay.
Above Nafplion are the fortifications of Its Kale (Three Castles) and,
higher still, the fortress of Palamidi.
Tonight we’ll have dinner in Nafplion.
DAY 7 (Sept 8)
Today we’ll visit two very important sites. Mycenae and Epidavros.
Mycenae, about a half hour’s drive north of Nafplion, is of course the
major Bronze Age site on mainland Greece.
In myth Mycenae was
the home of Agamemnon. commander of the Greek army which fought against
Troy, and historically it was the most powerful Greek state during the
last third of the Bronze Age (1600-1100 BC), which is why this period
is called Mycenean. Heinrich Schliemann
excavated here in 1874-76 and found in Royal Grave Circle A the rich
treasures which proved to him that Agamemnon really lived and that
Homer’s
story of the Trojan War was history, not myth. Mycenean culture
and art were rich and sophisticated, absorbing influences from the high
cultures of Egypt and Crete and transforming mainland Greece into a
high
culture in its own right.
The myth of Mycenae is the story of the Pelopid dynasty. Pelops, who
gave his name to the Peloponnese (Island of Pelops), had two sons,
Atreus
and Thyestes. Atreus became king of Mycenae but punished his
brother, who had an adulterous affair with Atreus’ wife Airope, by
forcing him
to eat his two sons for dinner. Atreus had two sons, Menelaus and
Agamemnon, who married sisters; Menelaus married Helen and Agamemnon
married Klytemnestra. When Helen ran off with the Trojan prince Paris,
Agamemnon and Menelaus became commanders-in-chief of the great
expedition which fought and won the Trojan War. When Agamemnon returned
from the war, Klytemnestra was
not overjoyed to see him; she had taken a lover (Thyestes’ son
Aigisthos)
and Agamemnon, who had earlier sacrificed his daughter Iphigeneia so
that
favorable winds would blow his fleet to Troy, now drove up to the
palace
with his new concubine, the Trojan princess Kassandra. Klytemnestra
therefore
invited Agamemnon to come in and take a bath; she gave him a garment to
put
on (with no holes for his head and arms) and while he stood there with
this
bag on his head she killed him with three blows of an axe. Later
Orestes,
the exiled son of Agamemnon and Klytemnestra, returned to Mycenae and
killed
his mother to avenge his father; for his crime of matricide he was
driven
mad by the Furies (mythic emblems of guilt) until finally, in the Attic
version,
he was acquitted at the first Areopagos trial.
Although the Bronze Age began in Greece around the middle of the 3rd
millennium BC., the first Indo-European Greek speakers arrived around
2000 and within a few centuries reached a position of dominance. During
the Mycenean
Period they built great palaces and established relations from Egypt
to Turkey and the Black Sea. During the 12th century Mycenean
civilization
came to an end, for reasons still not entirely clear. The collapse
coincided
with general disruption in the eastern Mediterranean area and may be
due,
at least partially, to the raids of the mysterious “Sea Peoples” who
appear
in Egyptian records. A major role may also have been played by the
movement
into central Greece and the Peloponnese of new groups of Greek speaking
peoples from the northwest, the so-called “Dorian invasion.” Most
survivors
of this turbulent period probably remained in Greece, but the level of
culture
changed radically; writing, building in stone, and representational art
disappeared, and cultural depression and poverty were wide-spread. A
Mycenean
group fled to the island of Cyprus soon after the Dorian invasion; they
were followed, toward the end of the 2nd millennium, by large-scale
migrations
from the Greek mainland to the eastern Aegean islands and the western
coast
of Turkey. For the next 500 years the center of Greek culture was not
in
Greece but in Asia Minor; here the old stories of heroes and a glorious
past,
kept alive by generations of oral poets, became the basis of Greek myth
as
we know it.
We
enter the citadel of Mycenae through the famous Lion Gate, the first
monumental sculpture in Europe (13th century BC). Immediately we come
to Grave Circle A, a royal cemetery in which Schliemann found six shaft
graves, 19 skeletons, and the incredibly rich burial furnishings which
made his discovery one of the great archaeological finds of all time. A
ramp
and stairs lead up from the grave circle to the palace on the top of
the
hill; unfortunately little remains of the palace except for a Great
Court
and a megaron (a room with central hearth and inner columns). From the
top
of the hill, with its view commanding the valley all the way down to
Argos
and Nafplion, we can follow a path down the back of the site to the
Postern
Gate and the Secret Cistern, a pitch-dark tunnel leading down some 80
steps
through the solid rock. We can then return to the Lion Gate around the
north
side of the hill.
Outside the city walls, just south of the site entrance. are an earlier
royal grave circle (Circle B, discovered in 1952) and two “tholos”
tombs which we can visit. Around 1500 BC the royal families here
and at other Mycenean sites changed their burial style from shaft
graves to tholos tombs, enormous circular rooms with domed roofs as
high as 50 feet. The
tholos closest to Grave Circle B was excavated by Mrs. Schliemann and
is
called the Tomb of Klytemnestra; it is one of the latest and most
finely-constructed of the tholoi. The other, called the Tomb of
Aigisthos. is much earlier and its roof has collapsed. Returning down
the modern road about a half
mile we come to the most famous tholos, the Tomb of Agamemnon; the
half-columns which decorated its doorway are in the Mycenean Room of
the National Museum.
Maybe we’ll have lunch in the village of modern Mycenae; restaurants
here have quaint mythical titles, like Orestes Cafe or La Belle Helene;
the
Klytemnestra Restaurant specializes in well-done chops!
After returning to Nafplion, we’ll go northeast 20 miles to Epidavros,
home of the most important medical sanctuary of ancient Greece (the
Asklepion) and the best-preserved ancient theater. Considerable
archaeological activity is currently taking place here, especially in
the areas west of the Odeion and south of the Tholos. From the end of
June through September ancient dramas are performed here in the
Epidavros Festival.
We’ll begin at the theater, reached by a short walk through a
park-like setting in a pine forest. The theater, which holds 14,000,
was built in the 4th century BC and is a superb example of a classical
theater (to tell at a glance what kind of theater you’re in, look at
the orchestra, the circular or semicircular area between the seats and
the stage; the classical theater has a full circle [5th-4th cent.], the
Hellenistic theater [3rd-2nd cent.] has about a third of the orchestra
covered by the stage, and the Roman
theater has a semicircular orchestra [there are of course variations]).
Next we’ll visit the little museum. The anteroom has a case of ancient
medical instruments, and the main room has many casts of sculptures,
plans
and diagrams of the site, and parts of the Temple of Asklepios and the
Tholos.
Finally we’ll visit the site of the sanctuary. Again we find that
a place of magical or religious significance was used for cult purposes
far back into prehistory. During the Archaic period Apollo seems to
have
been the chief god here, but by the 4th century BC. Asklepios, the god
of medicine and healing, had taken over the cult, and Epidavros became
the Mayo clinic of antiquity. Patients, especially those suffering from
chronic physical or emotional ailments, came here to be cured; then as
now,
they waited an indeterminate length of time to be seen by the
priest-physicians,
then went to the dormitory (Abaton) to sleep and dream; a diagnosis was
made by dream interpretation, and the treatment prescribed. Usually
this
involved diet, exercise, and hydrotherapy, methods which required the
patient
to stay on at Epidavros during the cure and insured a high standard of
living
for the priests and local entrepreneurs. This is why the site is full
of
baths, gymnasia, and lodgings, and why the theater itself might be
regarded
as a functional equivalent to the magazines in a doctor’s office today.
We’ll return to Nafplion by mid-afternoon; the rest of the day is free.
DAY 8 (Sept 9)
Today we’ll drive west and south through the Peloponnese to Mistra and
Kiparissia. Our first stop is at Lerna, just 10 minutes around the bay
from
Nafplion.
Lerna was excavated
in 1952-58 by J. Caskey of the Univ. of Cincinnati
and is famous for the “House of Tiles,” the earliest palace in Europe;
its
date is 2400-2100 BC. Lerna also appears in two ancient myths: here 49
of
the 50 daughters of Danaos decapitated their husbands on their wedding
night and threw their heads into the Lake of Lerna, and here Herakles
killed the monstrous Hydra for his 2nd Labor (Herakles then dipped his
arrows in the gall of the Hydra, the second deadliest poison in myth;
the first deadliest was the blood in the left-hand veins of the gorgon
Medousa).
Danaos, who had 50 daughters, lived in Libya, and his brother Aigyptos,
who had 50 sons, lived in Egypt. The sons wanted to marry the
daughters, but they refused and fled with their father to Argos, their
ancestral home. Aigyptos’ sons pursued them with an Egyptian army, a
battle took place between the Egyptians and the Argives, and the girls
were forced to marry their
cousins. Danaos gave each of his daughters a knife and commanded them
to kill their husbands. 49 did so. but Hypermnestra fell in love with
Lynkeos and spared his life (fortunately for Greek myth, since their
descendants
include Perseus and Herakles).
We have seen now the sites of Herakles’ 1st and 2nd Labors (the Nemean
Lion and the Lernaian Hydra). In fact, the first half of Herakles’ 12
Labors all take place in the northern Peloponnese. The 3rd, 4th, and
6th Labors
(the Erymanthian Boar, the Arcadian Deer, and the Stymphalian Birds)
all
occur in Arcadia, and the 5th (the Augeian Stables) is at Elis, the
territory
of Olympia. Furthermore, Tiryns, just north of Nafplion, is where
Herakles
stays between Labors, and Mycenae is ruled by Eurystheus, Herakles'
master
and the one who sends him out on his Labors. The 7th through 12th
Labors
take Herakles throughout the world (and beyond), but this may be a
later
addition to an earlier tale of a local Peloponnesian hero.
After a brief stop for lunch in Sparta (where virtually nothing remains
of the ancient city), we’ll go a few kilometers west to the Byzantine
town Mistra on the slopes of Mt. Taygetos. Mistra began as a fortress,
built
in 1249 by the Franks, and soon passed into the control of the
Byzantines,
under whom it was the leading city of the Peloponnese. It was governed
by a Byzantine Despot, usually either a son or a brother of the Emperor
in Constantinople.
Mistra enjoys one of the most beautiful situations in Greece, lying
along a steep slope of Mt. Taygetos. At the top is the Kastro
(fortified citadel), and on successive levels below are several
Byzantine churches (most notably the Pantanassa), the Palace of the
Despots, and everywhere spectacular views.
From Mistra it’s about 40 miles southeast, through some of the most
striking and at times hair-raising scenery in Greece, to Kalamata, and
from Kalamata it’s another 32 miles to Kiparissia on the SW corner of
the Peloponnese. We’ll spend the night in Kiparissia, at a pleasant
hotel on the beach.
DAY 9 (Sept 10)
We'll spend the day in and around Pylos, visiting the Venetian castle
at Methoni, the Mycenean palace at Pylos (called the Palace of Nestor,
the garrulous old advisor in the Iliad), and the Pylos Museum.
The Palace of Nestor was first excavated by Carl Blegen of Cincinnati
in 1952 and
was destroyed by fire at the end of the Mycenean period (around 1200
BC).
It is quite a bit smaller than Mycenae, and it is here that the first
Linear B tablets found on the Greek mainland were discovered in 1939.
In the afternoon we'll drive north to Olympia, about 35 miles
from Kiparissia.
DAY 10 (Sept 11)
It’s not difficult to see why the ancients chose Olympia for the Games
and the sanctuary of Zeus; it is now, and certainly was, one of the
most
beautiful places in Greece. The confluence of seven rivers and
sufficient
rainfall provide a green and shady setting that is reminiscent of
Tuscany.
Predictably, Olympia
was a cult center before Mycenean times, although
the official date for the first Olympic Games is 776 BC. Originally a
local
festival of Elis (the territory of Olympia), the Games became the great
panhellenic festival during the Archaic period and continued to be held
until suppressed by the anti-pagan edict of Emperor Theodosius I in 391
AD. The Games were held every four years; ten months before their
occurrence the competitors began to train; they spent the last month at
Olympia and during the actual week of the Games a Sacred Truce was
observed by all Greeks. Competitors had to be native speakers of Greek
(although in the last phase Romans were admitted), and no married women
could be present under penalty of death. The list of events was
periodically augmented, and came to include the foot-race, boxing,
chariot-racing, horse-racing, the Pentathlon (jumping, wrestling,
running, spear and discus throwing), and the Pankration (a form of
wrestling in which everything was allowed but biting and gouging). To
win at Olympia was the greatest honor a Greek could attain, promising
immortal fame (as the Victory Odes of the 5th century poet Pindar
declare) not only for him but for his family and city as well.
In myth Herakles is the founder of the Games. At the first Games he was
the only contestant, which was acceptable for the running and throwing
events but extremely boring in the case of boxing and wrestling, so
boring,
in fact, that his father Zeus, who was present as a spectator, entered
the wrestling match against Herakles and grappled him to a draw. Other
versions say that the Games were founded by another person with the
same name, Herakles the Daktyl, who was only as big as a finger. or by
Pelops to commemorate his victory over the king of Elis.
King Oinomaos of Elis had a daughter Hippodameia but refused to allow
her to marry, either because he was in love with her himself or because
a
Delphic oracle warned that he would be killed by his daughter’s
husband.
He compelled any suitor to compete in a chariot race against him and,
since he had the fastest horses in the world, he always won (and
celebrated
his victory by attaching the loser’s head to his palace wall). When
Pelops
arrived, Hippodameia fell in love with him and persuaded her father’s
charioteer Myrtilos to sabotage Oinomaos' chariot. The chariot crashed
and, as Oinomaos lay dying, he cursed Myrtilos; later Myrtilos
assaulted Hippodameia and, thrown from a cliff by Pelops, cursed Pelops
(it is this curse which, through Pelops’ sons Atreus and Thyestes,
extended down through the royal house of
Mycenae).
We’ll
first visit the Museum, one of the newest in Greece (opened in 1972).
The great center hall contains pedimental sculptures from the Temple of
Zeus and the inner frieze of the same temple. The east pediment
represents the start of the chariot race between Oinomaos and Pelops,
with Zeus in the center; the west pediment is the battle between the
Centaurs and the Lapiths at the wedding of Peirithoos, with Apollo in
the center. The twelve metopes of the frieze portray the twelve Labors
of Herakles. The rest of the museum is arranged chronologically: going
clockwise from the entrance hall, Room 1 has Neolithic, Mycenean, and
Geometric objects; Room 2 has archaic
bronzes (especially armor, weapons, and decorated tripods; there are
some
fine gorgon shields, a unique bronze mother-and-baby griffin pair, and
acroteria
(decorations, usually terracotta, on the roofs of temples); Room 3 has
objects
from various Treasuries (small houses in which cities displayed their
offerings
to Olympia) and the only extant ancient Greek battering ram; Rooms 4
and
5 are mostly sculpture and bronzes, the most interesting being the
large
terracotta acroterion of Zeus carrying off the Trojan prince Ganymede
to
be his “cupbearer”; Room 6 contains the famous statue of Hermes by the
4th
century sculptor Praxiteles; the baby on Hermes’ left arm is the god
Dionysos,
whose upbringing was entrusted to Hermes; some critics maintain the
work
is a Roman copy, but opinion is divided on this matter; Room 7 has
Roman
objects, notably a marble bull from the Exedra of Herodes
Atticus; Room
8 has inscriptions and objects directly connected with the athletic
contests.
The site is across the street (separate ticket). Keeping to the
right after going through the entrance, we come first to the large
Gymasium, then through the wrestling and socializing area, the
Palaistra, to the workship of Pheidias. This is the same Pheidias who
supervised the building of
the Parthenon in Athens, and he had the same function for the Temple of
Zeus at Olympia. The building was later used as a Byzantine church, but
in 1958 a cup was found with Pheidias’ name on it. South is the
Leonidaion, an elaborate guest-house for distinguished visitors (later
the residence of the Roman governor); in the center courtyard you can
see the brick walls of a curving pool; going from here to the Temple of
Zeus, we enter the
Sacred Grove, or Altis. The temple is one of the largest Greek temples,
and
the statue of seated Zeus within was one of the Seven Wonders of the
world;
it was almost 40 feet high and covered with gold and ivory (it
supposedly was carried off to Constantinople after the cessation of the
Games and was destroyed in a fire). Continuing east from the temple we
pass the Stoa of Echo, the nymph who loved Narcissus, then through the
athletes’ tunnel to the Stadium where the foot-races were held.
Returning to the entrance we go by the Treasuries, the Metroon, or
Temple of the Mother of the Gods, the Exedra of Herodes, the 7th
century Temple of Hera, and the Philippeion, a round structure, or
tholos, built by Philip II of Macedon, father of Alexander the Great,
in his own honor.
From Olympia we'll visit the
temple of Epikourios Apollo at Vassai, one of the most dramatic and
architecturally significant temples of the classical period.
We'll drive through some of the most beautiful scenery of Arcadia
at this time, like Andritsena and Dimitsana, and then cross the Corinth
Canal again on our way north to Delfi.
DAY 11 (Sept 12)
Delfi
was the most famous oracle of the ancient world (remember that an
oracle was a place or a message, not a person), already held in highest
esteem at the time of Homer (8th century).
Here questions were
asked of the god Apollo (mostly by rulers and governments in the
earlier phase, by individuals in the later phase) and his answer was
transmitted by a priestess, the Pythia, who babbled something
incoherent which was translated into hexameter verse by the college of
priest-poets. The petitioner would first purify himself in the sacred
Kastalian spring, then write his question on a lead tablet, and wait
for his turn to submit it. The order of submission was determined by
lottery, unless one was granted the right of promanteia (the privilege
of cutting in line), presumably in return for a handsome gift to the
sanctuary; an extant inscription just below the Temple of Apollo reads
“Delfi grants to the people of Chios the right of promanteia
(cutting the line).” The oracles were characteristically
vague or ambiguous, thus increasing immeasurably their odds of success.
In myth Delfi (like almost all oracles) was at first
the
possession of Gaia (Earth), who was the first to utter prophecies.
Later
Apollo killed the great serpent which guarded the site and took it over
(Pytho, the early name of Delfi, and Pythia, the priestess, may be
words
derived not from python [serpent] but from pythao [a
verb
“to rot”], since Apollo left the body of the serpent to rot in the
sun).
We’ll
begin with the museum (the display labels are mostly in Greek and
French,
so if you don’t know one of these languages attach yourself to someone
who does).
We go up the entrance stairs to
the first exhibit, a large omphalos (navel stone). Zeus saw where
two eagles, flying from the ends of the earth, met; this place was
Delfi, the navel of the earth. The following rooms contain in order the
Sphinx
of the Naxians; a huge archaic sculpture which stood atop a 30-foot
column, and the pediment and frieze from the Treasury of the Siphnians;
large,
very early bronze shields; two kouros statues of Kleobis and Biton, two
youths proclaimed by Solon to be the most fortunate persons in the
world,
since they pulled their mother’s chariot to the Argive Heraion, fell
asleep
in the temple, and never awoke; a treasure of gold, silver, and ivory
objects found in 1939 under a path below the Temple of Apollo;
sculpture from the Treasury of the Athenians; statuary from the
archaic Temple of Apollo (this temple, called the Alkmaionid temple
because it was paid for by the aristocratic Athenian clan of the
Alkmaionidai, was the second on the site and was destroyed by an
earthquake in 373 BC). The Alkmaionid temple was quickly rebuilt, and
the new temple’s repair by Domitian at the end of
the 1st century a.d. is commemorated by an inscription; a rare and
important inscription of a hymn with musical notation. objects
from the Tholos, a round temple in the lower shrine; 4th century
sculptures, including three enormous dancing girls on a column which
was the base for a tripod, and
the votive offering of Daochos, a family group tracing his genealogy;
the
highlight of the museum (and perhaps of all museums) is the bronze
statue of the Charioteer in; this spectacular piece, from around 475
BC, stands
poised at the end of the Archaic age, on the verge of motion and the
Classical
style.
Turning left from the Museum
entrance, we take the paved path to the site entrance (separate
ticket). As
we begin up the slope after the entrance we come first to the Offerings
of the Arcadians and the Spartan Monument of the Admirals, two rows of
statue
bases, then two semi-circular Argive monuments, followed by a large
number
of treasuries, including those of the Sikyonians, the Siphnians, the
Thebans,
and the Athenians (reconstructed). Next is a small Council Chamber near
the site of the column which held the Sphinx of the Naxians, the
place
at which the gold and silver treasures in the museum were found,
and
the Treasury of the Corinthians. Below the Temple of Apollo is the Stoa
of
the Athenians, a colonnade honoring the victory over the Persians in
480,
and before the Temple is the Altar of Apollo, dedicated by the people
of
Chios (with the aforementioned inscription granting Chios the nght of
promanteia).
A reconstructed pillar held an equestrian statue of Prusias, king of
Bithynia
in the 2nd century BC. The great Temple of Apollo was the actual site
of
the oracle, perhaps in an underground chamber. Above the temple
is
a small but well-preserved theater, built in the 4th century and
restored
by the Romans. A steep but worthwhile walk leads from the theater
to
the Stadium, the best-preserved in Greece; it held 7,000 spectators and
is still used for theatrical and musical events. After returning
downhill
to the entrance we turn left and follow the path to the Kastalian
Spring;
a little below the spring is a refreshment terrace (much needed by
those
who’ve gone all the way to the stadium) with a good view of the lower
site.
The large, recently-excavated gymnasium area is now open to visitors;
below
it is the Sanctuary of Athena Pronaia, which contains an old and a new
temple
of Athena, two treasuries, and a beautiful, partially-reconstructed 4th
century Tholos.
From Delfi we'll drive north
to Kalambaka, the town lying below Meteora.
DAY 12 (Sept 13)
We'll
first go up to the Meteora, a group of Greek Orthodox monasteries
situated
on the tops of separate steep rock pinnacles. Long ago under water, the
rocks have been wierdly shaped and pitted by countless centuries of
wind
and rain. The recesses and their inaccessibility attracted early
hermits
and monks to the place, and during the 14th century the first
monasteries
were built. Once crowded and prosperous, they became virtually deserted
during the last century, although a current renaissance in monasticism
is accompanied by large building projects at several of the bigger
monasteries.
We’ll visit either Varlaam or Metamorphosis, and see the chapel (with
frescoes depicting every possible way to become a martyr), the museum,
and the platform from which rope nets are let down several hundred feet
by a windlass; this was until 70 years ago the only means of entrance
to the monasteries and still the only way to transport goods and
materials. Male visitors are not allowed to wear shorts in the
monasteries, and women must wear a skirt or dress and have their
shoulders covered.
We’ll have lunch at a restaurant
in Kalambaka, the town of the Meteora. Then we’ll go north to
Vergina, where a new and spectacular underground museum houses the
royal tomb of Philip II, father of Alexander the Great, then east to
the coast and south to Volos, a large port city on the Aegean Sea below
Mount Pelion, home
of the Centaurs.
Days 13-14 (Sept 14-15)
We'll
take the morning ferry or hydrofoil to the island Skopelos. The ferry
is more enjoyable, the hydrofoil is faster; we’ll take whichever best
fits our schedule.
Like the other Sporades
Islands, Skopelos is mountainous and pine-covered, with dozens of
marvelous
beaches and picturesque coves and villages. It’s visited during the
summer
by many knowledgeable tourists from around the world, but fortunately
it has no airport and hasn’t yet been ruined by mass tourism. It’s a
big
island, about 40 miles long and from 5 to 12 miles wide. A single paved
road runs from Glossa, an elevated village on the west coast, to the
main
town of Skopelos. Situated in a circular harbor surrounded by
mountains,
the town rises steeply above the water like a huge layer cake. The
bottom
layer is the waterfront, a half-mile of restaurants, shops, and cafes
almost
hidden by the green of mulberry and plane trees, while above it layers
of
whitewashed houses with red tile roofs and brightly painted shutters
seem
to be piled on top of one another.
What is there to do in Skopelos?
One could easily spend two days just exploring the town; the people are
friendly and the view around every corner of the narrow lanes is
wonderful; when you get tired of walking, have a seat at one of the
waterfront cafes and watch the boats or chat with the people at the
next table. If you want to see other parts of the island, rent a motor
scooter or take the bus
or a taxi; both taxis and busses leave from a plane tree on the
waterfront, and the bus schedule is on a sign attached to the tree.
About two and a
half miles from town (a pleasant and not difficult walk) is Staphylos.
the
best-known beach; it’s named for a mythical prince of Crete who
supposedly
colonized Skopelos during the Bronze Age. Another two and a half miles
along
the truly breathtaking scenery of the southern coast brings you to
Agnondas,
a quaint village with a few houses and three seafood restaurants. Or,
if
you want to see the whole island, take the bus all the way to Glossa
and
back.
We’ll have a group dinner one night in Skopelos; another night you
might want to try Perivoli, the best restaurant in Greece. After dark
the town comes alive; we can find a zaharoplastion (coffee and dessert)
and enjoy people-watching at its best.
Skopelos is the home of
Kostas and Voula Kalafatis, my Greek colleagues (they help me with my
arrangements while I am in America). If you want information,
help,
or just friendly conversation and a cup of coffee (or something
stronger),
go to their shop on the waterfront.
DAY 15 (Sept 16)
This
morning we’ll take a ferry or hydrofoil to Agios Konstantinos on the
mainland, where our bus will meet us for the ride back to Athens.
DAY 16 (Sept 17)
Departure Day (unless you're
going on to Turkey).